Thursday, January 30, 2020

The Bottom Five Worst Films of 2019

1) THE FANATIC – 2019 was a heavy year for discourse regarding how Hollywood should be casting potentially sensitive roles. Frankly put, certain types of performance just don’t fly anymore! Apparently those conversations never reached the ears of Limp Bizkit frontman Fred Durst, who cast the increasingly bonkers John Travolta as an obsessed cinephile on the autism spectrum in this revolting and moronic “satire” of fandom and fame. Adopting a stooped, shuffling gait, obnoxious whine and patchy mullet, the fallen actor conjures up a genuinely mortifying creation; the living embodiment of a fiery train yard collision. Grotesque protagonist aside, though, this is just a deeply terrible and cruel study in posturing frat-boy nihilism with nothing insightful to say whatsoever. The Fanatic wants so badly to be this generation’s Misery, and while that word definitely springs to mind throughout it’s not in relation to the works of Stephen King. 

2) CATS – If the internet is to be believed Tom Hooper’s gaudy adaptation of Andrew Lloyd Webber’s long-running Broadway smash is an insane must-see descent into hallucinatory lunacy. And while the highly questionable CG costumes and nonsensical Jellicle storytelling would seem to support that opinion, the truth is that Cats is also one hell of a numbingly dull sit. Easily last year’s most astonishing example of large scale creative hubris, this big budget musical affords its star-studded lineup about as much dignity as a soggy feline subjected to an unwelcome bath. Words fail to convey the humiliation of watching Sir Ian McKellan lick milk out of a saucer, or the sight of Idris Elba dutifully strutting around in a jacked-up, furry nude suit. Stick with the soundtrack. It’s shorter, less nightmare-inducing and – most rewarding of all - features 100% less mucus during Jennifer Hudson’s haunted rendition of “Memories.” 

3) HELLBOY – Whatever issues one might have with Guillermo del Toro’s original duology will be completely and totally forgotten after enduring this disastrously half-baked reboot. Utterly absent of imagination, wit or visual pizzazz, Neil Marshall’s fumbling adaptation of Mike Mignola’s cult comic series looks and feels like a superhero flick phoned-in from the early 2000s. It’s honestly depressing to watch Ron Perlman replacement David Harbour dutifully slog his way through this boring, edited-to-oblivion mess, engulfed in a tornado of pixelated CG, incompetent world-building and pathetic sequel-bait teases. No matter the crushing tedium though, viewers can at least take comfort in knowing their squandered two hours pales in comparison to the star’s tragically wasted makeup chair time.

4) EXTREMELY WICKED, SHOCKINGLY EVIL AND VILE – In theory, this ultra-flat Ted Bundy biopic has a fair deal going for it. There’s Zac Efron’s committed and occasionally compelling performance, for starters. But also the fact the film is helmed by Joe Berlinger, the celebrated documentarian who masterminded the riveting and comprehensive Conversations with a Killer: Ted Bundy Tapes Netflix series. So why does the final result play out like an amateur hour TV movie complete with lethargic direction, eye-rolling dialogue and superficial ripped-from-Wikipedia plotting? Extremely Wicked et al. aspires to place us inside the paranoid, schizophrenic mind of its fascinating subject, despite lacking the crucial artistry required to do so. Alas, this true crime anti-drama doesn’t just demystify the devil; it turns him into an utter snore.

5) SERENITY – How so many talented people read the screenplay for this wildly ill-conceived and mind-blowingly stupid film noir twist-a-thon and still said “Sign me up!” is a question for the ages. Headed by Matthew McConaughey as a sweaty gigolo/fishing boat captain who becomes embroiled in a steamy and dangerous plot involving his ex (Anne Hathaway) and her gangster husband (Jason Clarke), Serenity goes places no sane person could ever predict, much less yearn to see realized. Writer/director Steven Knight (Locke) has delivered fantastic work in the past, and doubtlessly will again, but his latest wasn’t just running on fumes, it appeared to be huffing them too. 


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