Ho, ye loyal and chivalrous podcast audience! Thine champions Cam and Tom have returned from exile beyond yon hills and meadows far to deliver another message of cinematic wit and wisdom. Forsooth, thou verily needst to download this audio bounty from thou powers above. Lies, you say? I say thee, NAY!
In this divine episode, the mighty duo review Marvel's latest summer spectacular Thor! They also share discourse over the merits of Duncan Jones' Source Code, scoff at Zack Snyder's Sucker Punch, and critique Peter Weir's The Way Back, Doug Liman's Fair Game and... Sylvester Stallone's Staying Alive (?). In the arena of trailers, they utter their thoughts on Transformer: Dark of the Moon, The Immortals, Rise of the Planet of the Apes and Real Steel. Aye, 'tis a good one.
To download, simply right-click and save on the green episode title above. Then you are free to indulge in one of the wild worldwide web's most majestic mp3 treasures.
P.S. We are also available on iTunes! We kid you not! Simply do a store search for "Epi-Cast" and, FANDRAL-VOLSTAGG!, you can subscribe to our feed and receive insta-dl's (Geek-speak for downloads). Oh, and we are the "Epi-Cast", not the "Epicast." Profound interpretations of the Bible will probably not be given here. (I added the "probably" because it's truly impossible to predict Tom's oft-random thought patterns.)
P.P.S. Don't hesitate to leave a review on our iTunes page. As always, we sincerely welcome your glowing praise/earth-scorching venom
Saturday, May 14, 2011
Epi-Cast: Episode 29 - "Thor. What Is It Good For?"
Posted by Cam Smith at 12:04 AM No comments:
Tuesday, May 10, 2011
Film Review - THOR
By Odin’s beard, Thor shouldn’t have worked as well as it does. The movie’s based on an oddball cult fave comic-book property brimming with borderline silly quasi-mythological gobbledygook, set in a hallucinogenic world conjured up by artist Jack Kirby, Marvel’s legendary master of miraculous milieus. It’s been assembled by a team of five (!) credited writers and a classically-trained Shakespearean director untested in the modern blockbuster arena, operating under the dominant rule of a company notorious for compromising individual works in service of their larger film universe game plan. And the whole shebang hangs on the broad shoulders of a dashing Aussie unknown whose best-known screen credit was a five minute appearance in J.J. Abram’s Star Trek reboot.
Herculean odds be damned! Kenneth Branagh’s Thor is one of the more breezily enjoyable crowd-pleasers in quite some time; a boisterous, hearty slab of superhero movie-making with charm and whimsy to spare. Based on the Marvel Comics protagonist, who first sprung forth from a modest 13-page Stan Lee and Larry Lieber-scripted tale contained within the pages of Journey into Mystery #83 waaaay back in 1962, Thor traces the intergalactic travels of a spoiled soon-to-be king who must learn a necessary lesson in humility. Or else.
After the attack results in a bitter end to peace between the two worlds, Odin strips his arrogant son of his godly abilities and invincible hammer weapon, dubbed Mjolnir, and plunges him to Earth – New Mexico, to be more specific. Following a dusty desert automobile collision, he’s befriended by a pair of astrophysicists, Erik Selvig (a very game Stellan Skarsgaard) and the lovely Jane Foster (Natalie Portman – energetic in an underwritten role), who attempt to make sense of the lusty bearded being. While Thor, alongside his mortal helpers, searches for a means of returning home, Loki wrestles rulership of Asgard from Odin and puts a nefarious plan into action involving the Frost Giants and a towering, titanium, Gort-like goliath called the Destroyer. In order to face the impending threat, the once mighty warrior must prove himself worthy of lifting Mjolnir from its new earthly resting place and earn back his formidable superpowers.
As Thor, Chris Hemsworth is a true find. Commanding and sympathetic, with a sharp sense of comic timing and strong physicality, the star’s presence is as crucial to the film’s success as Robert Downey Jr. in the Iron Man pictures. Although he’s often surrounded by a number of cinema’s very best acting talents, Hemsworth’s charisma looms large in every scene. Hiddleston also impresses as the villainous Loki, whose own emotional journey is just as important as that of the brawny hero. The stealthy, black-maned Brit often seems to be channelling Iago, with his wry gift for verbal trickery, but displays little of that character's malicious glee. His Loki has a victimized underdog quality that earns him a spot in the pantheon of the genre’s most compelling supervillains.
Among the supporting cast, an unrecognizable and imposing Idris Elba, playing Heimdall, the guardian sentry of the portal connecting Asgard to Earth, is a stand-out. Despite being buried under a potentially giggle-inducing mountain of golden armour, the actor projects hard-as-iron noble grandeur. He makes us believe that even Thor or Loki would think twice about crossing him. Also notable is the always welcome Kat Dennings, as the astrophysics team’s intern Darcy, who delivers the lion’s share of the film’s biggest laughs.
Thor feels like a film made by people who genuinely cared about telling an entertaining story with endearing, interesting characters. Branagh and his crew respect the intelligence of the audience, and understand that CG and stunts can only carry an expensive comic-book movie like this so far. Considering the usual standards for blockbuster filmmaking, it’s a refreshing approach that, as far as I’m concerned, is pretty much akin to godliness.
3.5 out of 5
Posted by Cam Smith at 4:33 PM No comments:
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